There is no more poignant moment in the history of modern documentaries than when Castro asked him if he had ever experienced deadly combat. Stone's response and El Comandante's visceral reaction transformed a mere film into history in its own right, perhaps even literature. His follow-up study of Hugo Chavez will further the task of restoring American journalism to legitimacy.
Harold Bloom might have to canonize him as the first entry in the era of Web 3.0 and Jesse Ventura is ready to make him a mandatory part of high school curricula throughout the United States. Even more gratifying would be to see Howard Kurtz, CNN's self-congratulatory parody of mass media conscience, succumb to the same devastating comparison as destroyed Lou Dobbs when Fareed Zakaria hit the air waves. Kurtz's 'Reliable Sources' is Pablum and deception, if only by ommission.
The issue, of course, is what Ashis Nandy calls "a world where the idiom of dissent is increasingly being defined at the centers of conformity."
Our mass media.
As if to highlight the fact, nearly every major US network rushed to interview Maziar Bahari last week, taking great pains to celebrate the first aniversary of how social media like Twitter and Facebook allowed coverage of the riotous aftermath to the Iranian elections last year. None has reported the same syndrome at the heart of their own coverage of American health insurance, interest on international debt, the Helms-Burton sabotage of Cuba's basic livelihood , or the depletion of major aquifers. This isn't just ironic, it is blatant deliberate hypocrasy.
The whole charade will come to a full head a year from now when Oliver Stone releases his next major work, 'The Secret History of the United States'. The ten hour extravaganza will expose over a century of comprehensive manipulation of mainstream media, a betrayal of democracy and Western civilization that is all the more insidious for being deliberately disguised, self-imposed and perpetuated by the media empire itself.
It might further transform Oliver Stone, the mere film maker and literary critic, into the 21st Century's first prophetic historian. (sic)